ࡱ> a JjbjbA]A] B+?+?T,,,,,,, FnFnFn8~nZo Ĉrppppp!r -r 9r;======,6Ri,Arq"!rArAri+,,ppg~+++Ar,p,p;+@TN,,,,Ar;++,,+ vp FnAy +70Ĉ+@+@7+, dFn Fn A Comic Opera in Two Acts based on the works of W.S. Gilbert and Arthur Sullivan by Paul Clarke Edited and updated by Fraser Charlton DRAMATIS PERSON Kenneth Timms (The President) BARITONE Julian (The Producer) BARITONE Simone Rattle (The Musical Director) BARITONE/MEZZO Derek Dynamo (Principal Baritone) BARITONE Richard Burke (The Tenor) TENOR Jack Door (The New Arrival) HIGH BARITONE Igor (A Sidekick) BARITONE Delia Dryden (Principal Soprano) SOPRANO Christine Crack (Wardrobe Mistress) CONTRALTO Gillian Dewdrop (Ambitious Chorus Member) SOPRANO Denise (A Chorus Member) NON SINGING Sharon (A Chorus Member) NON SINGING Bill Tarpit (A Chorus Member) NON SINGING Keith Dinger (A Chorus Member) NON SINGING Chorus of GILBERT & SULLIVAN CHORUS and MEMBERS OF A SECRET BROTHERHOOD. Scene The action takes place within the confines of an Amateur Gilbert & Sullivan Society. Time Yesterday. ACT I. - Noon ACT II. - The Following Evening. ACT I SCENE ONE The Audition Ante-room. A Gilbert & Sullivan Society Chorus is seen in anxious anticipation of events to come. They are dressed in rather arty clothes, showing immediately the theatricality often associated with such people. When they sing, they work as a whole, with very stiff and stylised movements. When they are not singing they form themselves into small groups around the stage. 1.OPENING CHORUS Music - Hark the hour, Trial by Jury Hark, the hour of seven is sounding: Hearts with anxious fears are bounding, In this place are crowds surrounding, Breathing hope and fear-- For to-day in these conditions, Everybodys prohibitions, Due to principal auditions, Soon must disappear. The Chorus break into groups, Igor at the back. Enter Richard, the tenor, in white flannels, a striped jacket, bow tie, boater and tennis shoes. He might well wear a toupee. RICHARD Gentlemen and ladies, today the auditions for our forthcoming production of The Mikado are due to take place. As you know, we lost a lot of money on last years topless Utopia Limited, and we need something to get bums on seats. Sadly, we have also lost Trevor, our usual producer, but he promises that hell be back to join us just as soon as he can, providing that it doesnt breach his bail conditions. Our new producer, Julian, will soon arrive to outline his concept of the show, which Im sure well all find very exciting. Im glad to see that we have such a good turnout I shall myself, of course, be auditioning for a part. I tend to think that I have a pretty good chance of obtaining the role of Nanki-Poo DENISE Only because youre the only tenor in the society BILL Only because youre the only chap whod admit to being a tenor RICHARD Whats wrong with being a tenor? The tenor voice is, of all voices, the rarest, the most beautiful and most pleasing to the ear. Anyhow, being a tenor, one always portrays the role of the hero and, of course, the lover tenors make extremely good lovers, do you know. How do you think they develop such high voices? DENISE Still, youre not the only one whos auditioning for a part. Gill heres auditioning for Yum-Yum. SHARON How wonderful! Are you definitely going to audition? GILLIAN I was thinking I might. DENISE Of course she will and it will certainly give darling Delia something to think about! GILLIAN Thats what Im worried about. Delias got a very good voice, and shes played so many parts before DENISE But thats exactly why we want you to audition! That darling girl has been our lead soprano so often that we think that some of our other talents should be given a chance, and you, my girl, have talent. SHARON You certainly have Ive stood next to you in the chorus, remember? Oh, Gill, you must have a go! GILLIAN Please, I want to make up my own mind. RICHARD (Putting his arm around her) Yes, do leave the girl alone, she must make up her own mind. DENISE Oh, what are you bothering yourself about? Dont worry no-ones auditioning for your part! IGOR (From the back) I am! RICHARD Whats this blasphemy? From the back comes Igor, a rather simple chap with a slow, drooling voice. IGOR Im auditioning! SHARON Oh, its Igor! Leave it to me. (Goes to him) Igor, dear, its no use you auditioning for the part of Nanki-Poo. IGOR Why not? I want to play a part Ive never played a part in any play all my life. SHARON Yes, I know, but Nanki-Poo is a tenor and you are a baritone. IGOR Am I? SHARON Of course you are! Now, you dont want to make a fool of yourself, do you? IGOR No, but but Im definitely going for some part. As the young lady said, give the other talents a chance. SHARON Of course, my dear (Igor retreats back) RICHARD (Coming close to Sharon) I say, Sharon, you did handle that well. SHARON (Taken in) You really think so? RICHARD Naturally! Such delicacy, such tact! Did anyone ever tell you, Sharon, that you possess the most beautiful hair SHARON No, I RICHARD and gorgeous, deep, satin-blue eyes, with luscious, luxubriant lips that long to be touched! With such features you drive me wild with despair to think that another may possess you. SHARON Indeed, no! RICHARD Indescribable rapture! Sharon, thou art the Venus of my life. SHARON Really? 2a. SONG RICHARD Music Would you know the kind of maid, Princess Ida Would you know the kind of maid Sets my heart aflamea? Eyes must be downcast and staid, Cheeks must flush for shamea! She may neither dance nor sing, But, demure in everything, Hang her head in modest way, With pouting lips, with pouting lips that seem to say, "Oh kiss me, kiss me, kiss me, kiss me, Though I die of shamea!" Please you, that's the kind of maid Sets my heart aflamea! "Kiss me, kiss me, kiss me, kiss me, Though I die of shamea!" Please you, that's the kind of maid Sets my heart aflamea! During the last few lines of the song, Christine enters, unnoticed by Richard. She abruptly moves Sharon and adopts her place. On the last line, Richard turns and flings his arms around Christine RICHARD Oh my God, Christine! CHRISTINE At it again? RICHARD Well, not exactly, I CHRISTINE I am telling you this once, Richard, and I shant tell you again leave my girls alone! RICHARD Just a minute, Christine this is a free country. How can you have any claims on anyone? CHRISTINE They are my girls, Richard, because I am Wardrobe Mistress! I was duly elected Wardrobe Mistress by the whole society, and as part of that duty I must protect my girls from the likes of you! RICHARD Come on, thats a bit strong, isnt it? CHRISTINE Strong? Not at all! Ive known men like you before RICHARD Really? DENISE Shes kept that quiet! CHRISTINE And, as Wardrobe Mistress, I am telling you to leave my girls alone, or youll have me to answer to! Is that clear? SHARON But Richard was only CHRISTINE I saw and heard enough! (Richard slips to the back and starts chatting to Denise. Turning to Sharon.) Sharon, my dear, Im not a prude, as you know, but that lad is a bounder. Never trust tenors you dont know where theyve been! I know from experience! (Exits. Richard comes down with Denise) 2b. SONG RICHARD Music Would you know the kind of maid, Princess Ida When a maid is bold and gay, With a tongue goes clanga, Flaunting it in brave array, Maiden may go hanga Sunflow'r gay and holly-hock Never shall my garden stock; Mine the blushing rose of May, With pouting lips, with pouting lips that seem to say, "Oh kiss me, kiss me, kiss me, kiss me, Though I die for shamea!" Please you, that's the kind of maid Sets my heart aflamea! "Kiss me, kiss me, kiss me, kiss me, Though I die of shamea!" Please you, that's the kind of maid Sets my heart aflamea! RICHARD (On his knees, to Denise) Denise, how can I ever thank you for just for just being here? The indescribable pleasure of merely being able to gaze upon that beautiful face with those gorgeous, deep, satin-blue eyes, with luscious, luxubriant lips that long to be touched! Allow those lips to utter the feelings of your heart and to say those words that would mean life to my depraving soul! DENISE Piss off. RICHARD Win some, lose some! (Retreats to back) SHARON Denise, Ive had the most wonderful idea. With Gill auditioning for Yum-Yum, we should try to get someone to audition for Ko-Ko. DENISE You mean, Dereks part? SHARON Of course! Id just love to see their faces when they were told Derek and Delia, darlings, somebody else is auditioning for your part. DENISE Oh, Sharon, thats wicked but delightful! (Addressing the Men) Come on, why dont one of you strapping young men in the chorus audition for Ko-Ko? BILL Dereks part? Not bloody likely! DENISE Come on, you cowards! There must be some talent amongst you no, perhaps Im hoping for too much! Richard, you audition for Ko-Ko as well, just to give Derek a bit of competition. RICHARD Certainly not! A tenor would never lower himself to sing baritone. DENISE Oh, come on Somebody! IGOR (Stepping forward) Ill audition! DENISE Oh dear. Sharon, will you see to it? SHARON Igor, dear, I dont think you ought to try for a part like Ko-Ko. IGOR Why not? Its a baritone part, isnt it? SHARON Yes, but its a high baritone part, and youre a low baritone. IGOR Am I? SHARON Of course you are. IGOR Well, at this rate, Ill never get a chance. SHARON Its no use Denise, well not get anyone to do it. DENISE Too right, with this lot! Oh, Id just love to see those two stranded without parts theyre so full of themselves. DELIA (Offstage) Ha ha ha! Oh, yes, of course darling, my voice is in perfect condition. DENISE Speak of devils and they appear! Enter Derek and Delia; Delia very elaborately dressed in velvet or silk, Derek in the most with it clothes of the day. DELIA Oh, hello darlings. DEREK (To men, with sickening friendliness) Hi, chaps! (Exeunt everybody except Derek and Delia ) DELIA Well, the auditions again they seem to come round so quickly. DEREK How many times has it been now? DELIA I dare not even remember. Derek, darling, this will be my third Yum-Yum. DEREK And my third Ko-Ko. DELIA Yes, dear, and you play it so well. DEREK Yes, I pride myself in thinking that Ko-Ko is one of my better parts. DELIA Of course, dear, you excel yourself. DEREK Impossible! DELIA And the magnificent way in which you handle those patter songs DEREK No trouble! No trouble! And youre a pretty fine talent yourself, Delia. DELIA Yes, I know. Being possessed with so much talent I sometimes even surprise myself. What do you think our auditions will be like? DEREK I think I can picture them right now 3. DUET - DELIA and DEREK Music - So go to him, Patience DELIA Ill enter the audition room with looks so bright and beautiful - DEREK Sing, oh youre good, I know you would - Youll surely get the part! DELIA And they will all acknowledge me with manner oh so dutiful - DEREK Sing, oh youre good, I know you would - Youll surely get the part! DELIA Theyll hear me sing and then discuss with wisdom, not stupidity, And come to the conclusion with extraordinary rapidity That I should get the part and then theyll praise me with avidity. DEREK Sing, oh youre good, I know you would - Youll surely get the part! DELIA Sing, oh Im good, I know I should - Im sure to get the part! DELIADEREKSing, oh Im good - I know I should, Sing, oh Im good I knew I would, Sing, oh for me you must agree, Ill surely get the part!Fine! What shine! Great Ill state! Nice! Precise! Smart! Youll surely get the part!BOTH Yum - Yum Yum - Yum (Ill ) surely get the part! (Shell ) DEREK Ill enter the audition room convinced of my ability - DELIA Sing, oh youre good, I know you would - Youll surely get the part! DEREK And they will bow and welcome me with such polite civility - DELIA Sing, oh youre good, I know you would - Youll surely get the part! DEREK Ill act and sing, impress them with my usual virility, And they will see my talents glow with brightening visibility, And so theyll hand to me the role with justifiability! DELIA Sing, oh youre good, I know you would - Youll surely get the part! DEREK Sing, oh Im good, I know I should - Im sure to get the part! DEREKDELIASing, oh Im good - I know I should, Sing, oh Im good I knew I would, Sing, oh for me you must agree, Ill surely get the part!Fine! What shine! Great Ill state! Nice! Precise! Smart! Youll surely get the part!BOTH Ko - Ko Ko - Ko (Ill ) surely get the part! (Hell ) Exeunt Derek and Delia. Enter the Chorus and other Principals. 4.CHORUS Music O make way for the Wise Men!, Utopia Ltd. O make way for the Wise ones! They are the prize ones-- Double-first in the world's university! For in England, this island (Which is my land), She has no one to match them in her city. The Director and Producer - If you knew, sir, How great is their mental fertility. O they make no blunder, And no wonder, For they're triumphs of infallibility. During the Chorus, enter the Producer and Musical Director. The latter is the epitome of the eccentric musician wildly flowing hair and untidy appearance. The Producer, on the other hand, is extremely artistic in appearance and temperament. The Chorus applaud at the end of the song. PRODUCER Thank you, thank you everyone, for such a lovely welcome I do like a warm hand on my entrance. We are absolutely delighted, are we not Simone? MUS. DIR. (Abjectly) Oh, yes, yes. PRODUCER Before we proceed, I would like to say a few words about my new production of The Mikado I plan to adopt a modern, more avant-garde slant than is usual in such productions. Retro is so in these days, that I have decided to set the whole story inside a disco in New York in 1976, which, of course, has so many similarities with the time that The Mikado was first produced (Everyone looks puzzled). The costumes for my (making quote marks in the air) Discardo will be an eclectic celebration of youth tribal styles, and I have already arranged the designs with your delightful wardrobe mistress where is she, by the way? DENISE Probably running after tenors! PRODUCER Is she really? What good taste the girl has! I do like tenors, the best of all male voices. Dont you agree, Simone? MUS. DIR. Not fussed! PRODUCER Anyhow, that brings me to a most important point. I must have a good Nanki my whole conception hinges around that character. I shall simply not know what to do if I dont get a good Nanki. Is anyone here auditioning for that role? RICHARD (Stepping forward) Yes, I am! PRODUCER Oh, I am pleased. You look just the right type. Thats made my day Ive been worrying about it for weeks. I didnt sleep a wink last night thinking about my Nanki. (To Richard) May I ask your name? RICHARD Yes, of course Richard, Richard Burke. PRODUCER Richard! I knew a Richard once Still, that was a long time ago now. MUS. DIR. Julian, dont you think we had better get on with what we want to say? PRODUCER Oh, of course. The President will be here soon and we simply must be prepared for his arrival. 5. DUET PRODUCER and MUSICAL DIRECTOR Music Now, Jurymen, hear my advice, Trial by Jury PRODUCER Society, well be concise - All kinds of vulgar prejudice Well surely set aside: BOTH Well surely set aside With stern, judicial frame of mind From bias free of every kind, Our judgement you will find. CHORUS From bias free of every kind, Their judgement we will find. MUS. DIR. Ill listen to the singers throats, And test the sweetness of the notes, With ear well trained to guide. (A handsome face may help decide) From bias free of every kind, The auditions you will find. CHORUS From bias free, etc. PRODUCER And when I come to see them act, I have with myself made a pact To judge with skill refined. (Unless I have a friend in mind) From bias free of every kind, The auditions you will find. CHORUS From bias free, etc. Exeunt Musical Director and Producer as Jack Door enters. 6a. RECIT JACK Music Is this the court of the Exchequer?, Trial by Jury JACK Is this the place for the audition? ALL It is! JACK At last that is my mission! I wish to take an audition. ALL For which part? JACK The part of Ko-Ko! CHORUS How can this man dare to say: Its no joke-o, Ill be Ko-Ko? JACK Hear me, hear me, if you please, Stop the threats that you are bringing - For permit me to remark On the merits of my singing, You're at present in the dark. CHORUS That's a very true remark-- On the merits of his singing We're entirely in the dark! Ha! ha!--ha! ha! 6b. SONG - JACK When years ago, a babe I grew, My voice I did employ, And sang aloud to gain my due - I was a musical boy! I made use of my diaphragm Instead of play with a toy, I used to rock and roll in my pram, I was a musical boy! Cradle rock, cradle rock, cradle rock! And as I grew, so did my voice, And so I joined the choir, As solo I was everyones choice, I was a boy to admire! But as I sang there with the crew, Theres something I did enjoy: I used to rock and roll in my pew - I was a musical boy! Chapel rock, chapel rock, chapel rock! Exeunt except Jack, Gillian, Denise and Richard. DENISE So youre going to audition for Ko-Ko? JACK Why, do you object? DENISE On the contrary, we wholeheartedly approve! JACK But why all the fuss when I entered? RICHARD We were naturally rather surprised that a newcomer should be applying for such a role, considering the competition. JACK Are there many auditioning, then? RICHARD No, only one. IGOR (From the back) I wanted to audition but they wouldnt let me! DENISE Dont you worry about what Richard says he doesnt know what hes talking about. RICHARD I like that! DENISE You go and audition and have no qualms about it unlike some I could mention. JACK What do you mean? GILLIAN I think she means me. Ive been thinking that I might audition for the part of Yum-Yum. DENISE She might do you see what I mean? GILLIAN But now I have made up my mind. I definitely shall! DENISE I wonder what could have brought this about all of a sudden? JACK In that case I sincerely wish you the best of luck May I ask you your name? GILLIAN Gill Gillian Dewdrop! JACK Gillian Dewdrop what a sweet name. Im Jack Jack Door. GILLIAN Im very pleased to meet you, Jack. JACK And I am very pleased to meet you. DEREK (Offstage) And I said to him If I catch you sunbathing in my garden again, Ill tan your hide! DELIA (Entering with Derek) Oh, you are a wit, Derek! DEREK (Spots Jack) Who do you think that chap is over there? DELIA Probably some new recruit for the chorus, dear at least, I hope so. I always find it so distressing when we sing so well and the chorus lets us down. I do sometimes wish that they could all sing a little better. DEREK Delia, perhaps youre being a little hard on the chorus. DELIA What do you mean? DEREK Well, in our case, the contrast between them and us is a lot wider than would normally be the case. DELIA Yes, I suppose youre right darling, they obviously cant help it! DENISE (Pointed and purposefully loud) Yes, Richard, isnt it particularly exciting this year with two people auditioning for the lead soprano role? DELIA Whats this I hear? DENISE Oh, havent you heard, Delia? Someone else is auditioning for Yum-Yum. DELIA (Laughing) Oh, not you Denise? What an amusing girl! DENISE Oh no, not me! DELIA Well, who is it, then? Who is? DENISE You really mean to say that you dont know? DELIA No, I dont! I wish you would have the decency to answer a simple question, but I suppose thats more than I can expect from the likes of you! DEREK Delia, dear, dont allow yourself to get worked up so theres no need. I mean, I wouldnt do so if someone else was auditioning for my part. DENISE (Enjoying herself tremendously) Someone is! DEREK What! This is going too far! DELIA Oh, I see it all now. Its one of Denises little bitchy jokes. Well, I think this has gone far enough! Denise, I am not amused! DENISE I am! DELIA Oh, the impertinence of it! JACK If you will excuse me DEREK Who are you? JACK Im coming to that! There is no joke being played upon you Gill here is auditioning for Yum-Yum and I am auditioning for Ko-Ko. DEREK You mean to say that you (Quickly checks himself and puts on an air of sickly friendliness) that you also are auditioning for the role of Ko-Ko? JACK Yes, I am. DEREK Have you played the part before? JACK Well, no, but that doesnt matter, I suppose? DEREK Experience does help, you know. I myself have played the role twice before. DELIA And I have played Yum-Yum twice before. (To Gill) May I ask what experience you have had, my dear? GILLIAN Well, Ive been in the chorus for two years. DELIA (Laughs) Oh, in the chorus! My dear, there is an enormous difference between being a prima donna and being a mere member of the chorus. (Aside) These amateurs! DEREK Delia dear, I dont think we need concern ourselves with these young people. DELIA I quite agree, Derek, I (Enter Bill) BILL Pray silence! Our President approaceth! 7a. CHORUS Music All hail, great Judge!, Trial by Jury All hail to Kenneth Timms, our President, With all his whims were quite content. All hail! May he be wise and ever just And keep our enterprise from going bust! All hail! 7b. RECIT - PRESIDENT For these kind words, accept my thanks, I pray. The annual auditions will be held today. But firstly, if you will all kindly consent, I'll tell you how I came to be the President. ALL He'll tell us how he came to be the President. 7c. SONG - PRESIDENT When I, good friends, was searching around On a company hunting mission, No operatic group could be found To achieve my lifes ambition. But then, one day, I chanced to see A poster to allure us. And so I joined this society As a member of the chorus. CHORUS And so he joined, etc. PRESIDENT And in that group I sang along With a voice as sweet as clover, But, by mistake, I came in wrong And my voice just floated over. The Director heard at once and he Did say That voice cant bore us! He deserves a better part, you see, Than just one in the chorus. CHORUS He deserves a better part, etc. PRESIDENT Later that year, one of the roles Retired from his position, And I was one of the chosen souls To appear for that audition. The competition was tough, you see, So to save myself from slaughter, I fell in love most passionately With the Musical Directors daughter! CHORUS He fell in love, etc. PRESIDENT I played the role so well that friends Did say, twould be a pity If I didnt make use of my upward trends And stand for the committee - And so they all spoke up for me Hed be a good president for us - For he knows what its like to be A member of the chorus. CHORUS For he knows what, etc. PRESIDENT So when the day came to decide The posts for the committee, I sat and waited, full of pride, With a speech both short and witty. So now, my friends, youve elected me To that highest of positions - And now well proceed, if youll agree, To the Annual Auditions. CHORUS So now well proceed, etc. PRESIDENT For I will be just! CHORUS And a just judge, too! PRESIDENT Yes, I will be just! CHORUS And a just judge, too! PRESIDENT In me you put your trust When I say it is a must, That the judges will be just. CHORUS And a just judge, too! PRESIDENT The auditions will begin! CHORUS Let the best man win! PRESIDENT The auditions will begin! CHORUS Let the best man win! PRESIDENT The auditions will begin, Youll agree it is no sin, If we let the best man win. CHORUS Let the best man win! Exeunt All except Delia and Gill. DELIA Well, my dear, it appears that we are alone, and that does so please me as I particularly wanted to talk to you. GILLIAN Did you? DELIA But of course. You mustnt get me wrong, my dear, I have no raging vendetta against you, I merely dislike seeing some young people hurt and disappointed when there is no reason for it. GILLIAN What do you mean? DELIA Well, Gillian, you obviously have a very nice voice and I admire your courage and confidence when you decide to audition for such an important role, but you really have very little experience GILLIAN But how am I to obtain it if I dont audition? DELIA That is exactly the point I am coming to, my dear. Surely you should first aim for one of the smaller roles and then, gradually, work your way up. Think of the worry it will save you! Do take my advice, my dear, I have had so much more experience of such matters than you have. 7d.DUET DELIA and GILLIAN Music Now wouldn't you like to rule the roast, Princess Ida DELIA Now wouldn't you like to play a part That you could act delightfully? GILLIAN I must agree, 'Twould pleasant be, (Sing hey, a Proper Pride!) DELIA And wouldn't you like to stop your heart Being torn in two so frightfully? GILLIAN It does appear She is sincere, (Sing, how to decide?) BOTH Sing hey! Sing hoity toity! Lucky for one! Sing marry, come up, and I ( might ) play Yum-Yum! ( shall ) Sing Proper Pride Is the horse to ride, ( I must just be lucky ) my Lady, O! ( You will be unlucky ) GILLIAN For days Ive thought and lived in hope To play that large and taxing part. DELIA But, oh my dear, You must have fear - Youll be on stage struck dumb! GILLIAN But then I might much better cope With a smaller, more relaxing part. DELIA See you agree - You think like me (Youll never play Yum-Yum!) BOTH Sing hey! Sing hoity toity! Lucky for one! Sing marry, come up, and I ( might ) play Yum-Yum! ( shall ) Sing Proper Pride Is the horse to ride, ( I must just be lucky ) my Lady, O! ( You will be unlucky ) DELIA (Over music) Do take my advice. I just dont want to see you hurt, my dear. (Exits) Enter Jack. JACK Gill, Ive been looking for you everywhere! Ive just had my audition and yours will be up soon, so come along. GILLIAN How did it go? JACK Pretty well, I think. Say, Gill, is there something the matter? GILLIAN No, nothing. I just dont know if Ill audition now. JACK For goodness sake, why not? I saw Delia just now has she been upsetting you? GILLIAN No, its just Well, she has been talking to me. JACK Dont listen to what she says, listen to what I say. You have got just as much chance as she has, in spite of her so-called experience. If you never try you will never succeed. You must see the logic in that. GILLIAN Yes, but JACK No buts! Exeunt. SCENE TWO The Audition Room. The President and Musical Director are seated at a table, looking rather fed up. 8. RECIT. PRESIDENT and MUSICAL DIRECTOR Music A nice dilemma we have here, Trial by Jury MUS. DIR. A nice dilemma we have here, That calls for all our wit! PRESIDENT And at this stage, it don't appear That we can settle it! MUS. DIR. How many more to go? PRESIDENT Just the one, I think the tenor part, Nanki-Poo. MUS. DIR. Oh dear! How many tenors have we got to sit through this time? PRESIDENT Just the one. MUS. DIR. Thank God! The Producer enters with Richard. PRODUCER Do come in, Richard, and make yourself at home. Well first ask you to sing a little, if you please. RICHARD Certainly! (Sings, unaccompanied) A wandring minstrel, I, A thing of shreds and MUS. DIR. (Cuts in) Oh, no no no no no! Dont sing that! Sing a scale of B flat, that will suffice. (Shouts) Pianist! Bb! The pianist plays a chord of Bb major, and the tenor sings up to an excruciating top Bb. PRESIDENT (To Musical Director) Does the tenor have to sing many B flats? MUS. DIR. No, only one. PRESIDENT Thank God! PRODUCER Oh, that was delightful, Richard or may I call you Richie? You have a super voice. You must have a lot of admirers! RICHARD Well, I do have a bit of a reputation as a ladies man... PRODUCER Oh dear, what a pity! Still, never mind Richie, would you read Nanki-Poos part beginning on page 18, and I shall read in the part of Yum-Yum for you. They proceed to read and act out the following extract from The Mikado: RICHARD (As Nanki) But we are quite alone, and nobody can see us. PRODUCER (As Yum-Yum) Still, that dont make it right. To flirt is capital. RICHARD It is capital! PRODUCER And we must obey the law. RICHARD Deuce take the law! PRODUCER I wish it would, but it wont! RICHARD If it were not for that, how happy we might be! PRODUCER Happy indeed! RICHARD If it were not for the law, we should now be sitting side by side, like that (Sits by him.) PRODUCER Instead of being obliged to sit half a mile off, like that (Crosses and sits at other side of stage.) RICHARD We should be gazing into each others eyes, like that (Gazing at him sentimentally.) PRODUCER Breathing sighs of unutterable love - like that (Sighing and gazing lovingly at him.) RICHARD With our arms round each others waists, like that (Embracing him.) PRODUCER Yes, if it wasnt for the law. RICHARD If it wasnt for the law. PRODUCER As it is, of course we couldnt do anything of the kind. RICHARD Not for worlds! MUS. DIR. (Cuts in) Yes, thank you very much, I think weve heard enough. PRESIDENT Yes, certainly! PRODUCER Yes, thank you Richie, you were beginning to play the part so well that I was quite carried away! Goodness knows where such acting might lead you if you play your cards right. PRESIDENT (Cuts in) Yes, thank you, Mr. Burke, well let you know. Richard exits quickly. MUS. DIR. Well, thats it, isnt it? PRESIDENT Yes, I believe so. All we have to do now is to sort out this mess of names. Igor pops his head around the door. IGOR Excuse me. MUS. DIR. Yes, what do you want? IGOR Ive come to audition. MUS. DIR. Sorry, youre too late, weve auditioned all the parts. IGOR No you havent, you havent auditioned Go-To. Ive been waiting two hours, so I couldnt have missed it. MUS. DIR. Go-To! Id quite forgotten about that. PRESIDENT I suppose wed better let him go ahead. MUS. DIR. Very well, sing your piece. IGOR Could I have a note? MUS. DIR. (Shouts) Pianist, give him a note! (The pianist obliges) IGOR (Sings) Why, who are you who asks this question? PRESIDENT Is that it? IGOR Yes, sir. MUS. DIR. Go-To only sings the one line. PRESIDENT Well, could we have it again then, please? IGOR (Sings) Why, who are you who asks this question? PRESIDENT What do you think? PRODUCER Hes got potential. Its certainly different, not an interpretation I had considered before. MUS. DIR. Well, thank you, Mr ? IGOR Igor! MUS. DIR. Mr. Igor, well let you know. Exit Igor. PRESIDENT As I was saying, all we have to do now is sort out his mess of names. 9. TRIO - PRODUCER, PRESIDENT and MUSICAL DIRECTOR Music - With wily brain upon the spot, Utopia Limited With wily brain and wisdom vast The perfect cast well plan, The very best Mikado cast Since G&S began. Its understood we must work fast, And plan it to the very last, The world will stand all in aghast When they have heard our perfect cast. PRODUCER I think we ought - (whispers). PRES. & MUS. Such bosh I never heard! PRESIDENT Ah! Happy thought! - (whispers). PROD. & MUS. How utterly dashed absurd! MUS. DIR. Ill tell you how - (whispers). PRES. & PROD. Why, what put that in your head? PRODUCER Ive got it now - (whispers). PRES. & MUS. Oh, take him away to bed! PRESIDENT Oh, put him to bed! MUS. DIR. Yes, put him to bed! PRODUCER What! put me to bed? PRES. & MUS. Yes, certainly put him to bed! PRODUCER But, bless me, dont you see PRESIDENT Do listen to me, I pray MUS. DIR. It certainly seems to me PRODUCER Bah - this is the only way! PRESIDENT Its rubbish absurd you growl! MUS. DIR. You talk ridiculous stuff! PRODUCER Youre a drivelling barndoor owl! PRESIDENT Youre a vapid and vain old muff! ALL So far we havent solved who or what - Theyre not a very ingenious lot - But dont be unhappy, Its still on the tapis, Well presently hit on our capital plot! PRODUCER Suppose we had - (whispers). PRESIDENT Now there I think youre right. It wouldnt be bad - (whispers). MUS. DIR. Thats true - he certainly might. Ill tell you what - (whispers). PRODUCER We will if we possibly can. Then in the plot - (whispers). PRES. & MUS. Bravo! a capital plan! PRODUCER Thats exceedingly neat and new! PRESIDENT Exceedingly new and neat. MUS. DIR. I fancy that that will do. PRODUCER Its certainly very complete. PRESIDENT Well done, you sly old sap! MUS. DIR. Bravo, you cunning old mole! PRODUCER You very ingenious chap! PRESIDENT You intellectual soul! ALL At last a capital cast weve got; We wont say who and we wont say what: Its safe in my noddle - Now off we will toddle, And quickly develop this capital plot! Exeunt. Spotlight on the Pianist. 10. SONG PIANIST with PAGE TURNER Music When a felon's not engaged in his employment, The Pirates of Penzance PIANIST When a pianist is engaged in the rehearsing - PAGE TURNER the rehearsing, PIANIST Of a G and S or operatic group - PAGE TURNER ratic group, PIANIST Hes occasionally inclined to do some cursing - PAGE TURNER do some cursing, PIANIST When hes forgotten by the singing troop! PAGE TURNER singing troop! PIANIST Oh, theres never any credit given for us - PAGE TURNER given for us, PIANIST Even tone deaf tenors get their due - PAGE TURNER get their due, PIANIST Oh, we sometimes wish that we were in the chorus - PAGE TURNER in the chorus, PIANIST Especially if we sing a note or two! BOTH Oh, you miss out on the praise and on the fun - on the fun, Yes, a pianists lot is not a happy one! PIANIST When a singers drifting gaily out of time - PAGE TURNER out of time, PIANIST Its the pianists job to cover up the crime - PAGE TURNER up the crime, PIANIST But if he is tired and sometimes does the same - PAGE TURNER does the same, PIANIST He is shouted at and has to take the blame - PAGE TURNER take the blame. PIANIST Even though hes never resting, always playing - PAGE TURNER always playing, PIANIST He simply cannot make mistakes or flaws - PAGE TURNER stakes or flaws, PIANIST But we stay, although we miss out on the paying - PAGE TURNER on the paying, PIANIST And we rarely get a share in the applause! BOTH Oh, you miss out on the praise and on the fun - on the fun, Yes, a pianists lot is not a happy one! SCENE THREE The Audition Results! Enter Jack and Gill left, Derek and Delia right. ( GILLIAN Im very nervous, Jack, I ) ( DELIA And in spite of that, she ) ALL (Seeing one another) Oh! DEREK Youre here rather early, arent you? JACK (Looks at watch) Why, so we are. DEREK I dont suppose it could mean that you are particularly worried about the outcome today, does it? JACK Why, not at all. DEREK Oh, good! JACK Youre here early yourselves. DEREK (Looks at watch) Why, so we are. DELIA The early bird catches the worm, thats always my philosophy. GILLIAN Really? Youre usually arrive late. DELIA What are you implying by that? GILLIAN Nothing, Delia, just an observation. JACK I say, everyone, lets not argue or bicker about such trifling things as auditions. DELIA Jack, darling, I never bicker! DEREK Jack, I agree with you let us peacefully and calmly await our fortunes. 11. QUARTET GILL, JACK, DELIA and DEREK Music In a contemplative fashion, The Gondoliers In a contemplative fashion, And a tranquil frame of mind, Free from every kind of passion, We are peacefully resigned. All our fighting were abating, No more arguments today Quiet, patiently were waiting, For to see what they will say. GILL. Oh, what a situation! THE OTHERS. In a contemplative Im as nervous as a duck. fashion, etc. It is worse than the inflation In our country, and its luck! DELIA Oh, I never could believe it, THE OTHERS. All our fighting Nerves to me could be so near. were abating, etc. It will certainly relieve it When I get the part, tis clear! JACK. Oh, I do not care a million THE OTHERS. In a contemplative If I get the part or not, fashion, etc. But I really do for Gillian, It would surely mean a lot! DER. I will boil with rage con foco THE OTHERS. All our fighting If all things do not go well. were abating, etc. I will get the part of Ko-Ko, Or Ill kick up bloody hell! I was saying that I hope you both do well! JACK Now I know that Gill could play the part With voice both bright and clear - DELIA But if she did get it Ill warrant, Ill wreck it By drowning the minx in a keg full of beer! DEREK If he gets the part of Ko-Ko, Sword or pistol he will choose. GILLIAN If Jack doesnt win it, I'll bear and Ill grin it, But if I get a role, yes the part Ill refuse! DELIA When I get the part of Yum-Yum I will laugh and I will sneer. GILLIAN And if she should do it I'll warrant she'll rue it - I'll send her away with a flea in her ear! If I happened to be lucky I would cry! - DELIA No matter - no matter. If I should get at her Ill help her along with a slap in the eye! ALL. Quiet, patiently were waiting, For to see what they will say! Enter the Chorus and all Principals, the President, Producer and Musical Director entering last. 12a. CHORUS Music With aspect stern, The Mikado With aspect stern And gloomy stride, We come to learn How you decide. Dont hesitate Your choice to name, Their fame or fate Theyll suffer all the same. 12b. TRIO PRESIDENT, PRODUCER and MUSICAL DIRECTOR Music We may remark, Princess Ida We may remark, though nothing can Dismay us, That if you do not like our plan, Dont slay us. We try to do our best for you, Or better! So well announce the parts, true to The letter! Yes! Yes! Yes! Our judgement cant be better! PRODUCER (Spoken over music) May I first say that this year our task was more difficult than usual, the quality of the singing and acting being of a very high standard, and, in an ideal world, everyone (Musical Director gives him a prod) So now to the allocation of the parts: the part of the Mikado himself will be played by illustrious President, Kenneth Timms! CHORUS Hooray! PRODUCER The part of Nanki-Poo, Im pleased to announce, by Richard Burke! CHORUS Hooray! PRODUCER Pooh-Bah by Bill Tarpit! CHORUS Hooray! PRODUCER Pish-Tush by Keith Dinger! CHORUS Hooray! PRODUCER The small, but important, role of Go-To by Igor Trotshievsky! IGOR Ive got a part! CHORUS Hooray! PRODUCER Pitti-Sing by Sharon MacKenzie, and Katisha by our delightful Wardrobe Mistress, Christine Crack! CHORUS Hooray! PRODUCER The third little maid, Peep-Bo, by Delia Dryden! A sudden hush! DELIA Excuse me, but surely there has been a mistake? MUS. DIR. Oh no, dont underestimate yourself, my dear, you have got the part. DELIA (Horrified) Then you mean PRODUCER The part of Yum-Yum by Gillian Dewdrop, and Ko-Ko by Jack Door! CHORUS Hooray! Hooray! Delia and Derek are horrified as the Chorus cheer. Jack and Gill embrace. 13. FINALE ACT I Music Ye torrents roar!, The Mikado DEREK & DELIA Ye torrents roar! Ye tempests howl! Your wrath outpour With angry growl! Do ye your worst, our vengeance call Shall rise triumphant over all! CHORUS Well hear no more, Illomened owls, To joy we soar, Despite your scowls! The echoes of our musical Shall rise triumphant over all! DEREK Prepare for woe, As well you should, At once I go! (The Brotherhood!) CHORUS Away you go, As well you should; We fear no foe Nor Brotherhood! JACK & GILLIAN We do not heed their dismal sound For joy reigns everywhere around! CHORUS The echoes of our musical Shall rise triumphant over all! DELIA My wrongs with vengeance shall be crowned! ENSEMBLE We do not heed their dismal sound For joy reigns everywhere around! DEREK & DELIA Our wrongs with vengeance shall be crowned! Derek and Delia exeunt in a furious rage whilst the Chorus joyfully mock them, jeering at their threats. Jack and Gill are cheered by the Chorus as they, themselves, exeunt. END OF ACT I ACT II SCENE ONE A dark, deep cavern beneath the theatre. Enter Derek and Igor melodramatically. Derek is now dressed in a fine evening suit with an opera cape, and wears a hideous mask covering one eye and a portion of his face The Phantom of the Operetta! Igor now possess a hunchback, an awkward limp and slightly distorted facial features Quasimodo, the Hunchback of Notre Dame! 14. SONG - DEREK and IGOR Music - I once was as meek as a new-born lamb, Ruddigore DEREK I once was a gentle and ordnary man, Im now a dreadful ghoul - ha, ha! With fear and vexation As my occupation, Who thwarts me is a fool - ha, ha! IGOR And I who works as best he can In charge of cavern and cells - ha, ha! I once did play Go-To, Im now Quasimodo, And deaf because of bells! - ha, ha! BOTH How dreadful when an innocent man Becomes as evil as he can, But still more hard on old Go-To Whos forced to play deaf Quasimodo! The bells made ( him ) deaf! ( me ) IGOR (Shouted) The bells! DEREK (Phantom voice) Well, Quasimodo, the plan has succeeded! That fool, Jack Door, now lies with a knife in his back in the slime of the citys sewers, and that interfering girl, Gillian Dewdrop, is writhing in the rotting cells! Ha ha! I will make her sing for me, and only for me, until she drops with exhaustion and will never, ha ha!, never want to sing again! Quasimodo, bring the female to me! (Igor does not move. Pause) Quasimodo, bring that damned girl to me! IGOR (Deadpan) Im supposed to be deaf! DEREK (Own voice) Fetch her!! IGOR All right, all right, Im only trying to play my part. I mean, Im supposed to be deaf, so how does he expect me to answer his calls? Im only trying to play my part (Exits) DEREK Ha ha! Now for the moment of triumph! The girl shall be mine and she shall sing for me sing until she drops IGOR (Offstage) Come on, you wretched female. Enter Igor with Delia; Igor is dragging her on (acting so well) and Delia has a rather couldnt care less attitude. IGOR Youre supposed to be screaming! DELIA Oh, must I really? DEREK (Own voice) Scream, Delia, scream! DELIA Oh, all right. (Utters a few pathetic cries) IGOR (Pushes Delia, the whispers) Youre supposed to fall. DELIA Oh dear! (She delicately falls to the ground) DEREK Well, my girl, you are here in my power at last, eh? Know ye not that I possess my own little tortures for you if you do not do as I say. Quasimodo here could direct you to a rotting cell full of beetles, rats, snakes and juicy spiders Spiders! IGOR (Whispering to Delia) Scream! DELIA Oh! (Pathetic screech) DEREK Ha ha! I knew you would be horrified at the thought of that, my girl DELIA Oh, Derek, must we go on like this? Im just about sick of it all! DEREK (Own voice) For goodness sake, Delia. DELIA Ill have none of it! How do you expect me to act a role when there is no audience to act to? A true artiste needs her audience. DEREK But Delia, darling, I need to rehearse so that when I get to play the part for real, I shall be perfect. DELIA Well, find someone else! Youve got that fool over there, isnt he enough? IGOR I dont like being called a fool DEREK Shut up! Youre supposed to be deaf! DELIA And that brings me to another point he shouldnt be playing Quasimodo IGOR Why not? DEREK & DELIA Shut up! DELIA Quasimodo is from a completely different story altogether! The Phantoms henchman goes by the name of Igor IGOR But I dont want to play myself! DEREK Shut up! (Deliberately) You are supposed to be deaf! IGOR Well, I can lip read, cant I? DELIA Oh, what does it matter anyway. Its all your fault for landing us in this mess, with all your promises of us definitely getting the parts no trouble! youll see to it! Yes, youve seen to it all right! DEREK It was hardly my fault I was most profoundly let down! I shall see about that straight away, and if that fails Then my plan goes into action! DELIA I only hope it works! DEREK Of course it will work it cannot fail! And then, ha ha!, we shall reign as we did before! Fare thee well, Delia, I must be gone! (Exits) DELIA Oh, its all right for him, he has still got a part to play, unlike myself. When one has captured a large audience for so long, it is very hard to be without one. IGOR Let me be your audience and you can sing me a song. DELIA You? Oh, the depths one sinks to when one is desperate! 15. SONG DELIA with IGOR Music Poor wand'ring one!, The Pirates of Penzance DELIA Poor monstrous one! Thou art deformed and decayed, And, in thy case, A hideous face, Poor monstrous one! Poor monstrous one, If such an audence as thine Can help me find True peace of mind- Ill take it for auld lang syne! IGOR Take heart, thy love is mine, Ill sing this song of thine! DELIA Take heart, my loves not thine,; Sing any song but mine! Ah! Poor monstrous one, etc. You make me laugh, Ha ha ha ha ha, etc. Exeuent Delia and Igor. SCENE TWO The secret meeting room of The Brotherhood! Several men enter in dark cloaks with hoods covering their heads. They assemble to the strains of Mozartian music. BILL Brothers, as you know, in our Brotherhood we must always be careful of infiltration. Thus, before our meeting can begin, we must perform the secret rite. 16a. CHORUS Music Its clear that medieval art, Patience Its clear that in our Brotherhood, we must have Secret Signs; We do not want the hoi polloi to know of our designs. Weve had to practice very hard, and work right through the night, So now we have at last devised our Secret Greeting Rite! You hold your foot like this, (Left hand grabs right ankle) You shake your hands like that, (Right hand under right leg) You try to stand erect and not fall on your face ker-splat! To prove youre of this sect You look at your subject, And nod your head in triplicate to get the right effect! Once you have thus established that youre both of the same kind, Youre free to talk of other things that may be on your mind. You ask him of his grandmamma, he tells you purely fact, But, should you think hes faking it, you instantly react: And hold your foot like this, (Left hand grabs right ankle) You shake your hands like that, (Right hand under right leg) You try to stand erect and not fall on your face ker-splat! If he replies the same, You ask his mothers name, And then, at last, youll ascertain from whence the lodger came! Strains of the Mozartian music are heard again as another hooded personage enters. The brothers politely bow as he enters, obviously indicating that he is the head of their society. This personage is, in fact, the President, but is completely hooded so that the audience cannot see his face. He speaks in a dark, hollow voice. PRESIDENT Brothers, this meeting has been called by one of our members here as a case of extreme urgency. May I ask who that member is? DEREK It is I! PRESIDENT Yes, my son, what is your will? DEREK I wish to register a complaint. PRESIDENT You are free, my son, to speak. DEREK Brothers, it was agreed many years ago that I should always be given the lead role in operatic productions, that members of this Brotherhood would secure that position for me. What I have to state is that I have not received the lead part, or, in fact, any part, at all! Therein lies my complaint! BILL Perhaps another performer was considerably better than you! DEREK Impossible! KEITH Still, that would make no difference. BILL True, Brother, my mind did wander. DEREK The question is, what are you going to do about it? PRESIDENT Brothers, we all realise that there must be some logical reason for this outcome, and to you, my son, I have but one thing to say: when we two meet again, I clad in my ceremonial gown, I will possess the solution to all problems. DEREK Thank you, your worship! PRESIDENT Brothers, if there is no more business to discuss, I suggest that we depart. Farewell! 16b. CHORUS Music Its clear that medieval art, Patience You hold your foot like this, (Left hand grabs right ankle) You shake your hands like that, (Right hand under right leg) You try to stand erect and not fall on your face ker-splat! We quickly now must go, Depart prestissimo, And keep the secrets of our group from every friend or foe! Exeunt. SCENE THREE The rehearsal room. Enter the Producer and Christine. PRODUCER Oh, Christine, you are a darling! The costumes are superb, youve realised my conception perfectly! CHRISTINE I do my best to please. Ive worked my fingers to the bone! PRODUCER Im sure you have, Christine, and dont think Im not grateful. Now, the girls chorus are all supposed to be schoolgirls we, eighteen and under. I was thinking, perhaps we should restrict the schoolgirl costumes to those under, say, thirty, and make the rest chaperones How many of the female chorus are under thirty? (Christine whispers in his ear). On the other hand, suspension of disbelief is a wonderful thing! (Exit Christine). Enter Richard as Nanki-Poo in punk costume with ripped t-shirt and jeans, safety pins, Mohican, etc. RICHARD I must protest! Julian, I am afraid to state that I do not like this costume at all! PRODUCER Oh, but you look absolutely divine! Why have you any need for complaint? Christine has done her job superbly! RICHARD I dont doubt that, but, with all due respect, I dont feel quite the part in this costume. PRODUCER My dear, no-ones asking you to feel the part I merely want you to act the part. But the costume is perfect, just as I envisaged it! Oh, this has made me quite excited! (Exit Richard). Enter Christine. CHRISTINE I believe the girls are ready now. PRODUCER Really? Oh, good! Well proceed with the girls chorus straight away. The Producer, Musical Director and Christine move to the back of the stage and observe the following chorus. The female Chorus enters dressed in extreme clubbing/techno garb/St. Trinians 17. CHORUS OF GIRLS Music Comes a train of little ladies, The Mikado Comes a train of little ladies From scholastic trammels free, Each a little bit afraid is, Wondering what the world can be! Is it but a world of trouble Sadness set to song? Is its beauty but a bubble Bound to break ere long? Are its palaces and pleasures Fantasies that fade? And the glory of its treasures Shadow of a shade? Schoolgirls we, eighteen and under, From scholastic trammels free, And we wonder - how we wonder! - What on earth the world can be! PRODUCER Oh, Christine, the costumes are absolutely magnificent I just dont know how to describe them! MUS. DIR. (Pointedly) Good isnt the word! PRODUCER Exactly I couldnt have put it better myself! (Enter Gillian) Gillian, dear, I wonder if you would please sing for us your song from Act two theres a special lighting effect I need to try out. 18. SONG GILLIAN Music The sun, whose rays, The Mikado, but with a hip-hop drum beat! The sun, whose rays Are all ablaze With everliving glory, Does not deny His majesty -  He scorns to tell a story! He dont exclaim, I blush for shame, So kindly be indulgent. But, fierce and bold, In fiery gold, He glories effulgent! I mean to rule the earth, As he the sky - We really know our worth, The sun and I! For the second verse, the stage darkens and a pale moon is shone onto the back of the stage. Observe his flame, That placid dame, The moons Celestial Highness; Theres not a trace Upon her face Of diffidence or shyness: She borrows light That, through the night, Mankind may all acclaim her! And, truth to tell, She lights up well, So I, for one, dont blame her! Ah, pray make no mistake, We are not shy; Were very wide awake, The moon and I! At this point, Gillian turns to observe the moon, and in it appears the hideous (masked) face of the Phantom! Gillian screams! PRODUCER (Rushing up to her) My dear, what on earth has happened? GILLIAN (Upset) A face I saw a hideous face up there in the moon. MUS. DIR. The man in the moon? The girls crazy! GILLIAN No, I saw this face Suddenly, there is a blackout. Screams are heard all over the stage from the girls. A piercing scream from Gillian! After several seconds, the lights come up again Gillian has disappeared! Delia has appeared! Enter Richard and Jack. JACK Whatevers happened? Wheres Gill? MUS. DIR. I dont know. She was here DELIA She appears to have disappeared! JACK What? Then Im going out to look for her DELIA (Hastily) Theres really no need, Jack JACK Delia Im going! RICHARD Ill join you! (Richard and Jack exeunt quickly) PRODUCER Oh dear, this does so complicate matters! I did want to do the Yum-Yum scenes today. (Delia coughs) Oh Delia, dear, perhaps you would so kind as to help us out. I believe you have played the role before? DELIA Twice! PRODUCER Excellent! Would you be so kind as to play the role whilst Gillian is absent? DELIA Well, since I am forced to do it I shall be delighted! SCENE FOUR A dark, deep cavern beneath the theatre, again. Melodrame music plays. Enter Derek (as the Phantom) with Gillian struggling, screaming and crying Let me go, you beast, etc. Derek laughs and throws her to the ground. GILLIAN You evil creature, what do you want with me? DEREK Girl, you shall sing for me as you have never sung before! Ha ha! GILLIAN You must be mad! I shall never do it! DEREK You dare to defy me? If you do not obey me, I shall have you sent to a rotting cell full of slime, bats, juicy spiders, snakes GILLIAN I dont care, you creature, I shall not obey you! DEREK Then be it on your own head! (Shouts off) What ho! Without there! Quasimodo! Quasimodo! IGOR (Enters sees his big chance) Yes, master? The bells, the bells, the bells! They made me deaf, yknow? The bells, the bells, the bells DEREK Shut up, you dumb-bell! Take hold of this girl and escort her to (melodramatically) the Cell! Ha ha! IGOR Yes, master! (Takes hold of Gillian) Come with me, you wretched female! The bells, the bells! They made me deaf, yknow? The bells! Ow! Youre not supposed to do that! (Exeunt Igor and Gillian) The bells, the bells, the bells DEREK Ha ha! Now is the moment of triumph! The climax of the spectacle shall soon appear and I shall reap my vengeance! All shall know of me and live in fear, ha ha! All the world shall know of me! All petty plebeians will proceed to protagonise me and will bow to my every command! Today The Phantom of the Operetta! Tomorrow The Phantom of the World! 19. SONG DEREK Music - Some years ago, Princess Ida Some years ago, No doubt you know, (And if you don't, I'll tell you so) There was a man Who tried a plan To rule all of the earth! This is my creed - I will succeed, For powr and greed is what I need, Ill make men bleed If they dont heed The value of my worth! For Ill succeed where he went wrong, So, all of you, take heed my song - With wit Ill hit And Ill not quit! And thats the long and the short of it! Yes, all the nits Will pit their wits, But I shall have them all in fits! I will outwit And theyll submit, The leaders of the earth! It is a fact That will be backed! (Ill not be racked, nor be hi-jacked) Ill act with tact And make impact The show them all my worth! For Ill succeed where he went wrong, So, all of you, take heed my song - With wit Ill hit And Ill not quit! And thats the long and the short of it! DEREK (Offstage) Quasimodo! Quasimodo! IGOR (Entering) The Bells! Yes, master? DEREK Have you taken the girl to the cell? IGOR The Bells! Yes, master! DEREK Then bring her here at once, ha ha! IGOR But Ive only just taken her DEREK Quasimodo, bring the girl to me! Igor exits, returning with a struggling Gillian. IGOR Come on, you wretched Ow! Dont do that! The Bells! DEREK Ha ha ha! Well, my dear, did you enjoy your short stay in our little guest room? GILLIAN You monster! DEREK Ha ha! You shall sing for me, my dear GILLIAN Never! DEREK You shall! Quasimodo, did you purchase for me the organ? IGOR Yes, master! DEREK Then produce it, instantly! Igor rushes off, quickly returning with a huge box, carried or wheeled on. DEREK Where is the organ, idiot? IGOR Here! (Reaches into box and produces a very small electronic keyboard) DEREK Whats this? IGOR Its a Rolf Harris stylophone! (or whatever it is) DEREK You bungling idiot! IGOR Its all I could afford! DEREK How can you expect the Phantom of the Operetta to perform his evil deeds with a Stylophone? IGOR The adverts say its very good. DEREK (Plays a few bars of Bachs toccata and fugue. He is disgusted with the results) You fool! Must I do everything myself? Stay here, guard the girl. I know where I shall be able to get an organ The Brotherhood! (Exits quickly) IGOR (To Gill) You will keep still, wont you? Youve been acting rather too well for my liking! GILLIAN Acting? (Recognising him) Why, Igor, its you! What are you doing here why are you doing this to me? IGOR I dont know what you mean. Keep to the lines in the play. GILLIAN The lines in the play? Igor, this is no play this is for real! IGOR For real? I dont understand. GILLIAN Igor, I think you have been tricked. IGOR Tricked? That always happens to me! A noise is heard offstage. GILLIAN Whats that? IGOR (Frightened) I dont know! I hope its not rats! Richard and Jack rush onstage. RICHARD Yes, Im sure this is the way JACK (Seeing Gill) Gill GILLIAN Jack 20. DUET JACK and GILL Music Oh, Rapture, The Gondoliers Oh, Rapture! JACK I suppose we ought to sing a rapturous duet, but we havent got time GILLIAN Jack, Im so pleased! How did you find me here? JACK Dick led the way he knew of this cavern and suspected this may have been the place he brought you GILLIAN Oh, Richard, thank you. RICHARD A pleasure! You see, the tenor is always the hero in the end! (Turning on Igor) As for you, you little imp, frightening Gill, kidnapping her and bringing her to this clapped out place, why IGOR Dont hurt me! GILLIAN Richard, dont He didnt know what he was doing, he was tricked IGOR Yes, I was tricked! Please dont hurt me. RICHARD Very well, then. JACK Dick, dont you think it would be wise if we got out of here as quickly as possible? RICHARD Yes, youre right! Exeunt Jack, Gill and Richard as the Phantoms voice is heard off. DEREK Quasimodo! Quasimodo! (Rushing on) I have succeeded in Wheres the girl? IGOR Shes been rescued! DEREK Rescued? (Approaching Igor and throttling him) You fool, you damned, incompetent fool, I didnt leave you here to let her be rescued! IGOR I couldnt help it! DEREK (Melodramatically) Well then, there is only one course of action left! IGOR Whats that? DEREK (Produces a bomb) The Doomsday Bomb! They shall bow down to me yet and I shall be given my rightful place! Ha ha! They are foiled, foiled! (Exits) IGOR I dont understand all these things happening to me. All I wanted was to play a part. The trouble with me is that Im a born optimist sometimes I think I ought to be a little more serious! (Exits) SCENE FIVE The rehearsal room. Enter the Producer and Musical Director. PRODUCER (Shouts off) Well proceed straight away with the entrance of the Mikado and Katisha. The Chorus enters dressed again in techno/clubbing/disco clothes. 21a. CHORUS Music Miya sama, The Mikado, but with a pounding techno beat for the repeat... Miya sama, O te lama, Bit mi yama Oh ow ee! Nirra Nirra wid de plaste, Glazov ot viskee! Nirra nirra wid glazov ot viskee! Enter the President as the Mikado and Christine as Katisha. The Mikado in Seventies Disco Pimp gear afro wig, gold, etc. Katisha is dressed in full leather gear, with a long, severe-looking whip. 21b. DUET - PRESIDENT and CHRISTINE Music From every kind of man, The Mikado PRESIDENT From every kind of man Obedience I expect; Im the Emperor of Japan - CHRISTINE And Im his Torturess elect! With a slap and a quip, And a crack of the whip, Is his Torturess elect! PRESIDENT My morals have been declared Particularly correct; CHRISTINE But theyre nothing at all, compared With those of his Torturess elect! Bow - Bow - To his Torturess elect! CHORUS Bow - Bow - To his Torturess elect. PRESIDENT In a fatherly kind of way I govern each tribe and sect, All cheerfully own my sway - CHRISTINE Except his Torturess elect! As tough as a bone, With a will of her own, Is his Torturess elect! PRESIDENT My nature is love and light - My freedom from all defect - CHRISTINE Is insignificant quite, Compared with his Torturess elect! Bow - Bow - To his Torturess elect! CHORUS Bow - Bow - To his Torturess elect! PRODUCER Yes, thats fine everyone, but I would like to do the entrance of the Mikado just once again. (Exeunt President and Christine. Enter DELIA.) MUS. DIR. I say, Julian, dont you think that some of those new lyrics of yours are a bit risky? PRODUCER Oh no, not at all they seem perfectly natural to me. MUS. DIR. To you, maybe Sudden commotion! Enter Jack, Gill and Richard. MUS. DIR. Richard, what on earths going on? RICHARD We found Gill shed been kidnapped! PRODUCER Kidnapped? Good gracious me, by whom? JACK We dont know GILLIAN By some weird, horrific creature in a dark cloak and mask PRODUCER How very strange! RICHARD (To Delia) I dont suppose you would have anything to do with this little venture? DELIA How dare you for one minute suggest that I could stoop to such Richard, I am an actress, not a crook! RICHARD (Meaningfully) I sometimes wonder whether they are one and the same! DELIA Listen to that, hes virtually accusing me JACK Im sure hes not accusing you of anything, Delia, but we must discover who the man is Suddenly, there is, again, a complete blackout for a few seconds. Screams! A red light appears on the back curtain and in it the head of the Phantom appears. All are horror-struck. 22. RECIT. & SONG DEREK with JACK and GILL Music Your revels cease, The Mikado DEREK Your revels cease! Assist me, all of you! CHORUS Why, who is this whose evil eyes Rain blight on our festivities? DEREK Youll quake with fear at what Im going to do! Oh fools, you have no choice but to obey! CHORUS Go, leave thy deadly work undone! DEREK Listen, you hoi polloi, Ill have my way - CHORUS Away, away! illfavoured one! GILLIAN Ah! Tis the Phantom! The man of whom I told you. JACK No! We shall not go, These arms shall thus enfold you! DEREK Oh fools that fleest My earthly bower! Oh blind, that seest Not all my power! Oh rash, that knoweth Not who are your foes! Oh fear, which groweth As wisdom grows! Thy dooms designed! Oh fools, oh blind! Ill have my place, Oh rash, oh base! CHORUS Were all in fear give him his place, Oh fools, oh blind, oh rash, oh base! DEREK Listen to me, all of you! I shall be in charge here from now on and you shall all take your orders from me! I shall play the role of Ko-Ko and Delia will play the role of Yum-Yum PRODUCER (Hysterical) Never! Never! I shall never bow down to this madman! General approval! They all move to surround the Phantom. DEREK Listen: my demands shall be taken seriously! (Produces the bomb screams of fear!) Ha ha! You will all listen to me now! Unless my demands are met, I shall explode this bomb, and you shall all die! DELIA Derek darling, dont you think you are taking your acting just a little bit too far this time? DEREK Even you? You turn against me? But I dont need you I dont need anyone. You shall all bow down to me the world shall bow down to me! Nobody can stop me now Nobody! Ha ha! Nobody BOOMING VOICE FROM BACK I CAN AND I WILL! Silence! The Head of the Brotherhood appears in hood and cloak, followed by Igor. All bow. Derek falls on his knees. DEREK Oh, illustrious one, at last you appear to give me my rightful due. Grant me thy aid! PRESIDENT Hand me the bomb! (Derek does so. Mozartian music heard) Friends, I have come amongst you for two reasons. Firstly, to ensure that those who have deserved their success achieve it; secondly, to publicly discard my robe of office. (General stir. He lowers his hood to reveal himself as the President. Gasps of surprise!) I do this, for I have seen two young people achieve success through their own endeavours and their mutual love. This is an example to us all to live by honesty and truth! Gillian and Jack, you shall keep the parts you have so honestly gained. DEREK Foiled! But you promised me PRESIDENT I promised nothing! You tried to achieve your own success by using this evil method of persuasion (indicating the bomb), they achieved it by their own talents. Go thou and do likewise! GILLIAN Sir, may I say something? PRESIDENT Certainly, my dear. GILLIAN Jack and I have been discussing the situation, and we both agree that it would be unfair that such talent as Derek and Delia possess should be lost. We suggest that we both play the roles, alternately. PRESIDENT As it is your wish, so be it. Nothing could possibly be more satisfactory! 23. FINALE ACT II Music For hes gone and married YumYum, The Mikado GILL For well both be playing YumYum - ALL YumYum! GILL Your anger pray bury, For all will be merry, I think you had better succumb - ALL Cumb - cumb. GILL And join our expressions of glee! JACK On this subject we pray you be dumb - ALL Dumb - dumb! JACK Youll find there are many More parts for a penny, The word for your guidance is Mum - ALL Mum - Mum! JACK Lets shake hands and let us agree! ALL On this subject we pray you be dumb - Dumb - dumb! We think you had better succumb - Cumb - cumb! Youll find there are many More parts for a penny, There are lots of good fish in the sea. Music Oh, joy unbounded, Trial by Jury DELIA Oh, joy unbounded, With fame surrounded, The knell is sounded Of grief and woe. DEREK I hope you see, sir That I agree, sir, So pardon me, sir And dont say no. RICHARD I wonder whether They'll act together, And argue never Their friendship grow? JACK & GILL With love devoted On you Ive doted To castle moated Away we go! CHORUS Oh, joy unbounded, With fame surrounded, The knell is sounded Of grief and woe. It seems to me, sir, We all agree, sir, With your decree, sir, It shall be so! PRODUCER & MUS. DIR. Yes, on with the show! CHORUS And a good show, too! PRODUCER & MUS. DIR. Yes, on with the show! CHORUS And a good show, too! PRODUCER & MUS. DIR. Lets get on and lets go! We will practice for we know We will get a better show! CHORUS And a good show, too! PRESIDENT The audience will applause! CHORUS Yes, we hope so, too! PRESIDENT The audience will applause! CHORUS Yes, we hope so, too! PRESIDENT We will rid our show of flaws, And well suffer for the cause, All to get some LOUD APPLAUSE! CHORUS Yes, we hope so, too! CURTAIN     The Phantom of the Operetta - PAGE33 - Paul Clarke 1979, 2008   ^am ,>@HIXabhit-/7?NP\dsuٶٰٰٰٶٰٶٰٶٰٶٰٶٽٶٰٶٰٶٰٶٰٶٰ h @CJ h @6CJh @ h @CJ h @6CJ h @CJ h @6 h @CJh{h @OJQJh @OJQJjh @UmHnHuB     '^m ~ $xa$gd @^gd @ dh^gd @xxx$xa$$a$I  % & } ~ U V 8 ? 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